Real-world sounds are typically recorded in the field or on location, and there are numerous recording setups and techniques to utilise, each suited to different situations and production needs.

Mono recordings are captured using a single-point microphone, typically high-quality models like the Sennheiser MKH-8060 shotgun or the Sennheiser MKH-8050, to ensure focused, clean audio.

Stereo recording is the preferred format for sounds that feature one-dimensional motion, for example left to right across the soundfield. While motion can be simulated by panning mono sound effects, true stereo recordings generally provide a fuller, more natural sense of movement and spatial depth.

Stereo recordings are made using various techniques, including dedicated mid/side microphones, paired left/right capsules, and individual microphones arranged in specific layouts tailored to the space and source.

Ambisonics is a multichannel spatial audio format capable of capturing and faithfully reproducing a complete three-dimensional soundfield, including sounds originating above and below the listener. It preserves directional and ambient information for immersive playback and flexible post-production manipulation.

The Ambisonic format is ideal for representing the full scope of a soundscape with greater spatial resolution than typical surround formats. Because Ambisonic audio provides a complete sphere of sound, it brings to life immersive details—such as the layered hustle and bustle of a city, the subtle directional calls of wildlife, or the rustle and depth of a forest—creating a more convincing sense of presence and environment.

Various recording devices are available to use depending on the project, location, or the specific type of recording required.